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RØDE Microphones land at PW! |
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RØDE microphones are Australian designed and manufactured.
For studio, live, broadcast and home applications RØDE mics sound great, are durable and extremely versatile.
Come in to our display room today and A-B test them against other well known brands.
www.rodemic.com |
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Large range of studio monitors now available |
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Production Works has recently secured access to some of the market leading brands in studio monitors. Whether you need near-field, mid-field, wall flush-mounted or subwoofers, talk to the staff at Production Works for advice on the best product to suit your needs.
Also don't forget we have access to Yamaha and Behringer studio monitors which offer exceptional value for money!
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LS9 School - Free LS9 Training! |
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If you’ve been looking for focused, hands-on training on Yamaha’s most compact and accessible live digital mixing console, the LS9, it’s time to join the tour!
Yamaha’s Commercial Audio trainers are visiting Hobart on Tuesday June 29 to conduct intensive 3-hour training seminars at the Theatre Royal on the operation of Yamaha’s incredibly popular LS9 digital mixer.
LS9 School will provide the ideal opportunity for live sound technicians, system integrators, installers, theatre staff, concert tour operators, entertainment venue personnel, broadcasters, church technical staff and live audio enthusiasts to gain valuable hands-on experience on the LS9 console.
Sessions will have a maximum of two participants per console. Entry is by approved application only. Places will be confirmed as the date approaches.
LS9 School will cover the following topics:
- Selected ChannelI/O PatchingLayer SelectChannel JobVirtual Rack (incl. Effects and Graphic EQ)Bus Setup
- Sends On Fader
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- Scene OperationUser Defined KeysUSB Recording & PlaybackPC SynchronisationOffline Editing (Studio Manager)Digital Multicore (SB168-ES)
- and more!
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Production Works is Now a Yamaha Dealer |
Production Works are proud to announce that we are now Yamaha Professional and Commercial Audio and Music Production dealers and stockists. We now carry a range of Yamaha analogue, digital and powered mixers, digital effects processors, studio monitors, amplifiers, loudspeakers, recorders and digital audio workstations.
Our hire and production inventory now includes a Yamaha M-7 48 channel digital mixer (pictured below).
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A Magical Transformation
for Blundstone's Farewell Party
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Production Works recently transformed the concrete bunker that was the betting floor of the Royal Hobart Showgrounds grandstand into a cabaret room for the Blundstone boot factory farewell party featuring Angry Anderson.
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Southern Roots Festival
Hobart Showgrounds - Easter 2007
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Located at the southern end of Tasmania, an island some 300miles south of the Australian mainland, Hobart is one of the world's southern-most cities, so it came as no surprise that the new music festival staged there over the 2007 Easter weekend should be called Southern Roots. Drawing such artists as Wolfmother, Lemon Heads, Ben Kweller, The Pixies, Gomez and Toni Collete, who had recently performed at Australia's first V Festival and the well established Byron Bay Blues and Roots Festival, the show was a breath of fresh autumn air for the music fans of Tasmania.
For this festival Production Works were tasked with providing a complete turnkey production on the arena at the Royal Hobart Showgrounds, The package ranged all the way from a complete roofed main stage with loading docks and a second undercover stage, through PA, monitors and lighting, to full backline for multiple bands and production communications.
Both stages were almost entirely kitted out with gear from the Electrovoice family. Mixing consoles were an all-Midas affair. The mainstage FOH was mixed on a Midas XL200 with an XL250 for monitors, while on the smaller indoor stage, a Verona 400 mixed FOH and a Sienna 400 took care of monitors.
The Mainstage FOH system for the audience of 12,000 comprised 30 x XLC compact line array boxes and 16 x XLine subs, with XW15 monitor wedges, XArray side fills and four Mongoose boxes for drum monitors. Everything was powered by P3000 amplifiers. The indoor stage FOH for an audience of 1,500 was a large Dynacord Cobra system, with EV monitors and a Dynacord Madras system as side fill. All equalization and speaker control on both stages was handled by gear from Klark Teknik.
The XLC system acquitted itself flawlessly, cruising its way through ten bands during the 12 hour gig without even raising a sweat. Although Production Works is already very impressed with the excellent performance of their XLC system, they are looking forward to upgrading their cabinets to the improved DVX specification.
In addition to the Ethernet- over-power local area computer network employed to track channel allocations during the high-speed Mainstage band changeovers, all voice communications were via a Telex wired beltpack system interfaced with BTR800 RadioComms.
The systems engineers from Production Works found, that without exception, the engineers who came in to mix the bands were pleased to be working on well-known and well-understood industry standard Midas consoles. Despite the availability of a digital console, in a festival environment that allowed no time for major system setups or sound checks between acts, the reliability and familiarity of the Midas analogue desks was the unanimous choice. |
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Production Works at Falls Festival again
for Tasmania's New Years Eve 2006
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Production
Works once again supplied the Stage, Sound, Lighting, Backline and crewing for the
2006 Falls Festival at Marion Bay on Tasmania's East Coast.
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Pink October - the Tasmanian saga concludes |
Tasmania’s month of pinkness drew to a dramatic close with the transformation by Production Works of two more of Hobart’s landmarks into pink edifices, as part of the National Breast Cancer Foundation's Global Illumination programme.
The classic Art Deco façade of the Hobart Mercury, the city’s only daily newspaper, joined the spectacle of pinkness for the first time in 2006, changing colour through the agency of a swag of Par 64 cans and QI floods. Back for an encore performance after its spectacularly successful debut in 2005, the 70m tower building of the Wrest Point Hotel Casino, once again was lit by a multitude of PAR64 cans and dual cyc floods.
Despite weather varying between hail storms and 100kph winds with bushfires around the city, Production Works lighting manager Gareth Kays assisted by Matt Walker managed to keep all of the buildings a healthy pink.

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Parliament goes pink for Breast Cancer... the month of PINK in Tasmania (episode 3!) |
As part of the National Breast Cancer Foundation's Global Illumination Tasmania's Parliament has joined the bus and turned bright pink.
Again they turned to Tasmania's premier event and production company Production Works to supply all their lighting needs using a number of ground supported Dual 1K Cyc Fixtures to light the building.
Parliament although pink, was not quite up to PW's usual pink standards with the existing lights being required to be left running for security purposes.

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Launceston goes pink for Breast Cancer... the month of PINK in Tasmania (episode 2!) |
Part 2 of the saga of National Breast Cancer month involved Launceston's Town Hall turning Bight Pink this week to raise awareness of Breast Cancer. Once again Gareth Kays from Production Works dipped in to their vast collection of pink gel to undertake the project. The sources were a number of dual 1K Cyc fixtures, cantilevered out over the GPO building opposite the Town Hall and up some three stories, with power running across the road via a catenary line to feed the dimmers..

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The Beginning... the month of PINK in Tasmania |
Breast Cancer awareness month has started in Tasmania on Friday night with Production Works lighting "Storm Hairdressers" in downtown Hobart a decided touch of Pink! Using a number of Par 56's and 500w QI's with Auto-poles for supporting the parcan fixtures.
... Stay tuned for the next exciting episode! 
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Production Works brings Ground Supported Rigging to Tasmania
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To facilitate production in venues where a full, safety-rated, rigging capacity is not available, Production Works have recently added a ground supported tower system to their rigging capabilities. Custom built for Production Works by Brown's Precision Welding, the system can be used in outdoor settings, heritage buildings, temporary structures or inside an existing building, to safely carry tonnes of sound, lighting, staging and audiovisiual equipment, without any additional support.
By using standard concert truss modules and chain motors, the system is not only flexible enough to be configured for a wide variety of applications, it is also much simpler and faster to assemble, rig and strike, than scaffold structures. |
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High Definition Plasma Monitors
now available for hire |
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Production Works have recently added two 50inch High Definition plasma monitors to their hire inventory.
Complete with stereo speakers, the monitors are available in either table mounted or hanging configuration.
Technical specification
- 16:9 Aspect Ratio
- High Definition Display (1080i/576p)
- 1366 x 768 TV Resolution
- SXGA 1280 x 1024
- 16.7 Million Displayable Colours
- Contrast Ratio 1000:1
- Over 160 degrees Viewing angle
- Broadcast receiver
- Interfaces for: DVD, VGA, DTV, AV, S-Video
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Lighting and Sound enhance the atmosphere at Hobart's exciting new Barilla Bay Restaurant
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Hobart's exciting new Barilla Bay restaurant features colour changing lighting using Martin Alien 05 downlights and highly flexible background music systems, built around EV's stylish Evid loudspeakers and a digital music jukebox system that stores thousands of music tracks. |
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Production Works at Falls Festival
NYE Tasmania 2003
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Production
Works supplied Sound, Lighting, Backline and crewing for the
inaugural Falls Festival at Marion Bay on Tasmania's East Coast.
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Wholehog PC takes wing in Hobart
Australia's first
Wholehog PC system to employ the Wholehog III USB wing panels had its
initial outing running a Credit Unions conference in Hobart this week.
Production Works commissioned their new system for
the conference only hours after the wings were flown into the country.
Based around a Toshiba notebook computer, linked to an external LCD
monitor, a Programmer wing, a Playback wing and two DMX Widgets, the
system is running off one of the new generation of compact uninterruptible
power supplies, to ensure that system is as at least as stable as a
dedicated console.
Operator consensus
(and there were plenty of them lining up to try out the new system)
is that although it feels slightly strange using Wholehog III panels
to run a Wholehog II, the new console is a joy to fly. Production Works
decision to use an external optical mouse in conjunction with the Programming
wing's integral trackball, has proved to offer the best of both worlds
for operators. Everyone, especially the video crew, has been eying off
the gorgeous Hercules Prophetview 720 LCD monitor, although it has been
the LED desk lamps, and their capability of crossfading between white
and blue, which have proved to be the most popular feature of the wing
panels.

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